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It's easy to think that since made his big comeback using a lot of contemporary pop stars it would become the formula for the artists of yore to edge their way back into the limelight., the best-selling Brazilian recording artist of all time, hasn't made a platter in eight years. He plays piano on a track - 'Sexy' from - and the jam's a smash. Of decides to hook up for a full-on collaboration with, because he's a huge fan. Being the hotshot producer of the moment, will.i.am recruited everyone from, and to, , and (just to name a few) to sign on.

Recorded in both Brazil and the House of Blues in Encino, the set revisits many and Brazilian songbook classics and reworks them in the modern beat-driven idiom. Needless to say, the end result is entertaining, if mixed. Let it be said that a cut like 'Mas Que Nada' should never have been covered, let alone redone. But it is here with and some backing vocals with, of course, playing that trademark piano riff.

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Various Artists – Timeless (2016) PS3 Rip SACD ISO DSD64 2.0 1-bit/2.8224 MHz 72:53 minutes Scans included 2,93 GB or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz Full Scans included 1,35 GB. Tracklist: 01. Sergio Mendes – Never Gonna Let You Go 02. Lionel Richie – Hello 03. Chris De Burgh – The Lady In Red 04. Melding Sergio Mendes' classic, infectious mix of Brazilian bossa nova samba rhythms with modern hip-hop as only producer wil. Am of the Black Eyed Peas could do, this grooving mix of classic and modern sounds timeless.

OK, 'That Heat' is a reworking of 'Slow Hot Wind,' the tune covered and is supposedly the first track will.i.am ever sampled at the ripe old age of 14. Here croons in a sultry humid way as will.i.am goes down deep with the rap. ' piano is what keeps the thing from falling completely apart. Better is the - medley of 'Berimbau/Consolacao.' ' Rhodes offers the vamp that the elegant chorus singers -, and - and groove to.

Lays down some rather organic-sounding electronic percussion that sounds like palmas, and blows his harmonica over the entire proceeding as 's guitar strides alongside ' piano. This may be the best cut on the set. There is a fine case to be made for the humor in 'The Frog,' written by, and originally covered.

Lays down a charming rhyme and ' Wurlitzer work is killer. The cover of 'Let Me' is stiff and, as fine a singer as she is, doesn't cut it here, and neither does the rhythm track. The smoother than smooth 'Please Baby Don't,' written and sung by, works because of 's understanding of Brazilian rhythm and ' piano groove that carries the voice.

'Samba da Bencao,' with and guitars by, is engaging; ' acoustic piano solo is beautiful, as are the horn charts. The title track with is simply beautiful., with backing vocals by and and a slinky guitar part by, makes the tune simply float as decorates it with Rhodes and synth. Is a mixed bag, but it's not because of. His own playing and arranging is utterly elegant. As a producer, will.i.am means well and in general does a fine job - though he is, as would be expected, a tad overzealous in working with one of his idols. May not actually achieve that status, but for the moment it's a fine effort that doesn't reek of cloying commercial manipulation and feels like a true collaboration.