Christian Marclay, Category: Artist, Albums: High Noon, Records, Singles: Fuck Shit Up, Top Tracks: Cars Passing Their Messages Along Country Crossroads, Future Speeding on Swift Wheels, Turn Right Next Corner, Dust Breeding, Jukebox Capriccio, Biography: Christian Marclay was the first non-rap DJ to make an art form out of the turntable, treating the instrument as a means to rip songs apart. Xln audio ds 10 drum shaper 1.0.3 for mac pro. A few minutes of Christian Marclay's 13-minute music/video installation Video Quartet, as shot on DV at the Tate Modern in London (unauthorized, thus the crappy sound quality, sorry).

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Christian Marclay is a DJ, VJ, visual artist, audio artist and turntablist. He is the first non-rap DJ to make an art form out of the turntable, treating the instrument as a means to rip songs apart, not bridge them together. His work demonstrates the effect sounds and music have on us from the sublime tap tap tap of a foot on the floor to the bombastic crescendo of an orchestra. A long-time associate of Downtown improv figures John Zorn, Elliott Sharp..

He is the first non-rap DJ to make an art form out of the turntable, treating the instrument as a means to rip songs apart, not bridge them together. His work demonstrates the effect sounds and music have on us from the sublime tap tap tap of a foot on the floor to the bombastic crescendo of an orchestra.
A long-time associate of Downtown improv figures John Zorn, Elliott Sharp, and Butch Morris as well as the Kronos Quartet, Marclay was inspired artistically by Joseph Beuys and musically by John Cage and the Fluxus group after a period studying at the Massachusetts College of Art. He has released albums and his sound and visual pieces have been exhibited in art galleries worldwide.

White label test pressing with Pallas Company Labels. Submitted copy comes with regular cover.Each piece is composed entirely of records by the artist after whom it is titled.' John Cage' is a recording of a collage made by cutting slices from several records and gluing them back into a single disc.In all other pieces the records were mixed and manipulated on multiple turntables and recorded analog with the use of overdubbing.A hand-crank gramophone was used in 'Louis Armstrong'.Tracks A5, B2, B3, B5 recorded at Harmonic Ranch, May 1988.Tracks A2, A6, B1, B4 recorded at Horvitz Studio, January 1987.Tracks A1 and A3 recorded at King St. Studio, July 1987.Track A4 recorded at Noise NY, August 1987.Mixed at Harmonic Ranch, NYC.Direct Metal Mastered.Play back at high volumeSpecial thanks to everyone who made this record possible, to the composers and performers who's records were abused, and to Sokhi Wagner, Anne Garland, Jim Hinchee, Robin Holcomb, Mark Derry, Susan Tallman.